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is the song that was.

Gérard Berliner died. In a heart attack. Berliner was Louise course (# 1 top in August 1982), but also lovers of Oradour , Thief moms, Need accordion or The same ! On improbable and stunning songs. An amazing character, interprets the ancient theater, lived enough for Charles Aznavour the place. Also a mouth, a man's voice, which could be porcelain. If it had been (hard to use more-than-perfect) design a show, a "tower of song" he surely would have corrected, in tribute to Jacques Brel, whose songs are pitfalls that have trapped more than one (let us remember the misguided Bruel or bellowing Pagny Amsterdam ...), Berliner was the ideal figure. It was the age of these challenges ... 54.

When asked what were his ten favorite songs, this madman Hugo (My alter his play Hugo was appointed in 2006 to Molière, "Best musical") responded tit for tat in singing long passages as if he was on stage there, in the middle of his living room:
1. Les Vieux Jacques Brel lovers! 2. J'me already saw Charles Aznavour ... 3. Over time Leo Ferré. And Nantes (Barbara), Frenchy Baby blues (Souchon) Knocked (Renaud), of soul and body (Nougaro) Born in 17 (Jean-Jacques Goldman) Happiness is always tomorrow (Pierre Perret) and Time remaining Serge Reggiani.
That's heavy. That was, Berliner. A man on edge, glowing with the words, grown impatient. A unique trajectory. There was also this story on which he logs, because it close to his heart on his gangster brother, Bruno, a prominent member of the Gang of hairpieces. The aura he delivered to his publisher? Remember
hear it like that, on the fly, Time remaining Reggiani. He believed in it.

How long ...
How long ,
Years, days, hours, how many?
When I think about it, my heart beats so strong ...
my country that's life.
How long ...
How?

Baptist Vignol